10 questions with... Margot van Huijkelom

10 questions with... Margot van Huijkelom

We are delighted to interview the talented artist Margot van Huijkelom here! 25 years ago she left Holland for France to discover the world of Parisian elegance that influenced her work. Her exceptional fashion illustrations are combining a sense of femininity, strength, attitude and haute couture. 

Magot van Huijkelom

Hi Margot great to have you here!

1. Tell us something about yourself. 

I’m living and working in an artist village on the south of Paris. I knew from the time I was 6 years old that I wanted to become a fashion illustrator and painter. As a child, my best friend and I would feverishly create fashion magazines filled with our illustrations and sell them in our neighborhood.

 Atelier Wall with her "girls"

Atelier Wall with her "girls"

2. How did you get started as an illustrator? education etc.

After graduating with a Master degree at Artez (Acadamy of arts) I left Holland for France to discover the world of Parisian elegance that influenced my work as an art-director, designer and fashion illustrator. As a designer I learned to understand the garment and the fabrics but I also learned to observe. In the beginning my illustrations were a tool to express my ideas which has been primary to my career as a fashion-illustrator. Strong ties to Japan began 20 years ago with a commission, that snowballed into a multitude of clients and editorial work ( Vogue, L’Officiel Japan etc)

 Paola

3. How would you describe your style? 

In my drawings I portray mesmerizingly seductive women on Japanese paper. The garment is just an element to accentuate the attitude or the emotion.The sensuality of the fabrics can hide or show the female anatomy and are as an reflection of her expression. It’s my ambition that the female beauty can’t be reduced to the cloths she is wearing…

I’m using multimedia with a predilection for the association of abstraction and precision, interlacing pencil line with watercolor, combining transparent Areo-spray with opaque oil paint or pigments with liant. with all the techniques that I’ve appropriate myself during all these years I have the choice to pick the most adequate medium to express myself.

GoodByeBaby! kopie.jpg

4. What’s your technical/creative process?

"I take pictures of everything I see and that is inspiring me, my daughter’s expressions, the frost in the forest, people passing by, the haute couture shows, a waving skirt… I’m sketching them and hang them on my mood board as a huge patchwork of ideas. I will choose a sheet of handmade paper with it’s subtil grain and prepare my mediums. Than I will experiment with all the vibrant pigments and mediums that I could use to express the essence of the subject. I will study how delicate brushstrokes could be combined with textures on the handmade paper. But before starting to apply I will scratch away and grasp my brushes before grasping the character, Immersed in a concentration bordering on meditation. Because if my line deviates one millimeter I have to throw that drawing away…"

 Antonia

Antonia

5. Who or what inspires you and your work?

“It’s in Tokyo where I was introduced to a discipline that became a strong source of inspiration for my work—the art of woodblock printing ( Ukiyo-e) with it’s delicate work of fine lines on handmade paper. I’ve worked for 15 years for a Japanese company in Tokyo .The boss of the company ( named Shacho = boss in japanese) showed me one day his private and rare collection of woodblock stamps such as Hokusai ( the wave) and Utamaro but also the work of one of my favorite artists called Leonardo Foujita. Shacho noticed my extreme interest in his collection so he got me on a taxi that dropped me at an art supply shop in Tokyo where I could find the most outstanding pigments and handmade paper. This is where it all began."

SmodaMagazineDecember201 kopie.jpg

6. Which brands do you work for or do you love to work for?

Besides my beloved years working with my clients in Japan, the most exciting is drawing for the Journal le monde exclusively during haute couture fashion week in Paris. Working with Valentino and Dior, among other Couture houses, being one of the lucky few to have to freedom to walk around at the backstage during the runway shows. After the shows, I had to go back home each day to finish the fashion illustrations on a very tight deadline. They were to be published the next morning, which demanded me to finish my fashion illustrations before 5am.

My oldest client is Clarins, I’m working for this brand since nearly 20 years and it's such a pleasure. I’ve started to work currently with Harrods London and I specially love this work because of the different styles and subjects I’m illustrating for them and I appreciate the freedom I have to create. And not to forget the work relation I have with Vogue Japan since all those years is very special to me…

Redhair.jpg

7. What is your favorite thing in the world to illustrate?

Women, because they are refined and mysterious, because of the interesting contrast between tough and tender. Drawing women is also as a token to gratitude to women as my mother and all the interesting women that we are surrounded with. All kinds of women of this world and specially French women. As Arsène Houssaye said, “A Parisian woman is not fashionable. She is fashion. Men, when I draw them, end up looking like women…And for me personally, I prefer them manly,” 

PinkFlower kopie.jpg

8. Name 3 things you can’t live without?

My family, painting, a fireplace

9.  Any new creative plans for 2018? expositions? books? collaborations?

A great thing for me in 2018 is that Taschen re-edited « Illustration fashion Now» and I’m very happy to be in it again. The book is distributed worldwide and it’s a great reference. I’m continuing to create drawings for Harrod’s Magazine and I have many different projects and clients that I bring with me into 2018. Also I’m working on my upcoming exhibition that is really exciting but unfortunately I can’t talk about it yet!

BlueMascarade kopie.jpg

10. Any words of wisdom to aspiring artists?

Most important is to believe in yourself. I have been seeking for years to finally realize myself that I knew it already when I was 6.  It is very easy to get lost in this cyber world, be inspired by the real things that are happening in front of your eyes and go out and chase 3-dimensional experiences instead of focalizing on what others create on the flat screen. Go and see, taste, feel and keep close to you intrinsic values and beliefs, stay close of what you really are.

Thank you Margot!

You can follow her work on instagram and Facebook

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